Delhi Crime Season 3 Review: There’s a moment in Delhi Crime Season 3 that stuck with me way more than any chase, raid, or investigation scene. A foreign trafficker, sitting comfortably overseas, asks his Indian contact when the “next container” of girls is arriving. He wants 40 girls in a week, and he says it like he’s ordering furniture.
The call ends.
He walks out into his garden.
And he sits for dinner with his wife and two little daughters.
That tiny, 5-7 second scene changes the emotional temperature of the entire show. The director didn’t need to include that moment to move the plot forward, but leaving it in says everything. Here’s a man who treats kidnapped girls like cargo, yet showers endless affection on his own daughters. It’s the kind of duality that makes your stomach turn. And honestly, scenes like this are why Delhi Crime often hits harder than other Indian crime dramas. It doesn’t scream; it just quietly exposes a harsh truth.
My Rating: 4.0/5
| Category | Details |
|---|---|
| Title | Delhi Crime Season 3 |
| Platform | Netflix |
| Genre | Crime, Drama, Thriller |
| Season | 3 |
| Episodes | 6 |
| Episode Runtime | ~45–55 minutes each |
| Total Runtime | ~5–6 hours |
| Director | Tanuj Chopra |
| Main Cast | Shefali Shah, Rasika Dugal, Rajesh Tailang, Huma Qureshi, Meeta Vashisht |
| Tone | Dark, gritty, grounded |
| Release Year | 2025 |
This season dives into girls’ trafficking, stretching from Assam to Delhi to Haryana, Rajasthan, Gujarat, and finally Mumbai. And right from the first sequence, a mass wedding in Haryana, you understand exactly what world you’re stepping into. Anyone familiar with the state’s gender ratio or the history of bride trafficking doesn’t need a voiceover. The visuals do the job.
The Investigation: Slow Burn, But It Holds You
The show takes its time. The story simmers instead of boiling over. You won’t get twists every five minutes or Netflix-style “shock moments.” Instead, it walks you through the investigation step by step.
Yes, it’s predictable in parts.
Yes, you can sense when something is about to go wrong because the dialogue telegraphs it.
But you still stay hooked because the stakes feel real.
What bothered me, though, is the side quest the writers inserted, the “missing kids and the mother crying in the hospital” subplot. It wasn’t badly acted or badly shot. It’s just… unnecessary. The core story is about catching traffickers moving girls across the country. Suddenly bringing in a “Bajrangi Bhaijaan”-style emotional track slows everything down.
A DIG personally racing to reunite kids with their mother? Come on. Even in fiction, it feels forced.
The Performances: Shefali Shah Carries the Weight Like Always
Shefali Shah once again proves nobody could’ve played Vartika better. She has that grounded energy where she looks like someone who’s been in the force for 20 years, tired, alert, worn out, but fiercely committed. She never tries to be a hero. She just behaves like someone who’s seen too much.
Huma Qureshi shows up as the negative presence this time. She’s solid. But the accent work… let’s just say it triggered my inner linguist. As someone who’s lived both in Bihar and Haryana, you can hear when an actor misses the tone by even 10%.
She’s definitely miles better here than in her fake Bhojpuri accent from Maharani, but still a bit off.
Meeta Vashisht is great too, but again, the dialect slips through.
And then there’s the camera.
Look, I don’t know who started this trend of chopping off foreheads in close-ups, but it’s distracting. A close-up should feel intimate. This feels like the camera operator sneezed mid-shot.
The Real Issue: Some Moments Needed More Punch
Remember the real Delhi case, where a badly injured little girl was left at a hospital and the entire city exploded with outrage? The show recreates that incident, but the impact doesn’t land. Two or three media clips and some newsroom lines aren’t enough. If you’re going to touch a real emotional nerve, lean into it. Here, it feels rushed.
So, Is Delhi Crime Season 3 Worth Watching?
Yeah.
If you liked Season 1 and 2, this one won’t disappoint you.
It’s tense, disturbing, slow in parts, predictable in moments, but meaningful. The theme of “the world treats girls as disposable” hits again and again, and the show doesn’t sensationalize it. It just shows the ugly machinery behind trafficking and lets you connect the dots.
Also Read: De De Pyaar De 2 Review – The Sequel That Forgot Its Own Hero
Good & Bad in Delhi Crime Season 3
What Works
| Strength | Why It Matters |
|---|---|
| Shefali Shah’s performance | Gives the show its emotional backbone. |
| Realistic investigation flow | Feels believable, not Bollywood-ish. |
| That foreign trafficker scene | Says more about humanity than a 5-minute speech ever could. |
| Steady tension & atmosphere | Keeps you engaged even when the plot turns predictable. |
What Doesn’t Work
| Weakness | Why It Hurts |
|---|---|
| Side-story about missing kids | Breaks the rhythm of the main plot. |
| Predictable twists | You can see some things coming a mile away. |
| Accent inconsistencies | Takes you out of the scene if you know the dialects. |
| Underwhelming recreation of the real Delhi incident | Misses the emotional weight of the original case. |
Final Thoughts on Delhi Crime Season 3
Delhi Crime Season 3 doesn’t try to outdo itself with flashy writing or sharp bait scenes. It’s a slower, darker, more reflective season that stays close to the ground. It shows how trafficking works, not with explosions and car chases, but through networks, middlemen, loopholes, and moral decay. And sometimes, that’s more disturbing.
If you want a crime drama rooted in reality, with strong performances and moments that stay with you long after the episode ends, this season is absolutely worth your time.
If you want adrenaline and fast twists, this isn’t that show.
