Ek Deewane Ki Deewaniyat Review- He Calls It Love, I Call It Obsession

Ek Deewane Ki Deewaniyat Review: let’s talk about Ek Deewane Ki Deewaniyat, the second wave of Guru Sayaara’s so-called “lover’s universe.”
The film’s out now, and yes, Harsvardhan Rane is back, this time in full “I want you and I’ll get you” mode.

Now, before I start throwing punches or praises, let me be clear: this movie isn’t bad. But it isn’t exactly good either. It sits right there in that weird middle ground where you’re not sure whether to roll your eyes or clap out of pity.

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The Storyline — Obsession Sold as Romance

Ek Deewane Ki Deewaniyat tries to sell you the idea that a man obsessing over a woman is somehow romantic. The story? Simple. Boy sees girl. Boy says, “I want her.” Girl says, “No.”
Boy says, “I don’t take no for an answer.”
Girl says, “Still no.”
And the boy goes, “Cool. Let’s plan our wedding.”

Yeah. That’s literally it.

He’s ready to become her “dog” just to prove his love. I wish I were exaggerating. The film takes the whole “madly in love” trope and drives it straight into cringe territory. You’ll laugh, you’ll sigh, and then you’ll think, How the hell did this get an A certificate?

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From a Woman’s Point of View — It’s Basically Horror

From a woman’s perspective, this movie could easily qualify as horror. Imagine someone refusing to respect your “no,” showing up everywhere, and calling it love. It’s creepy, not cute.
But the movie plays it straight, almost celebrating that “I’ll ruin your peace until you love me” energy as real romance.

And honestly? That’s what makes it both fascinating and disturbing.

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Performances — Passion Meets Desperation

Harsvardhan Rane gives everything he’s got, maybe too much. You can tell he really wants this movie to work. His eyes scream passion, his dialogues scream desperation.
Sonam Bajwa, though, steals the show. You finally get why people are obsessed with her. On that giant screen, she doesn’t even need to say much, her presence does the heavy lifting.

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Visuals and Music — Beautiful Distraction

Cinematography? Gorgeous. The film looks like a music video shot in slow motion, all glossy, warm lights and aesthetic setups. But after a point, that beauty starts to feel like a distraction. Because the real substance, the writing, just doesn’t hold up.

The dialogues stretch longer than necessary. Every few minutes, there’s another heavy-handed “shayari” or monologue about love and pain that makes you want to yell, We get it, man!

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Who This Movie Is For

Still, I can’t deny this: there’s an audience for this kind of film.
If you liked Sayaara, that wild cocktail of lust, poetry, and passion, this will click with you. The hyper-masculine narrative, the melodrama, the intensity… it’s designed to feed that crowd.

But if you look at it with a clear head, it’s hard not to see the dark undertone. What’s being sold as “true love” is actually control and obsession. The movie never stops to ask what the woman feels, what she wants, or even who she really is beyond the man’s fantasy.

That’s where the film misses its biggest opportunity, to show the madness from both sides.

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Also Read: Thamma Review: Bhediya Returns with a Bloody Twist, Cringe Humor, and a Wild Mid-Credit Scene

The Interval and Final Stretch

Still, I won’t lie, I wasn’t bored.
The interval twist is wild, the music hits, and the visuals do keep you hooked. It’s like watching a slow, stylish car crash — you can’t look away even when you want to.

By the end, it feels like the makers just wanted to wrap things up and move on. You’re left with that typical Bollywood cliffhanger question: “Will he finally get her?” But honestly, by then, you kind of hope she runs.

So yeah, not a complete disaster, but definitely a movie that should come with a trigger warning for consent issues.

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Good & Bad Of Ek Deewane Ki Deewaniyat

What Worked	What Didn’t
Beautiful cinematography and production design — looks like a dreamy music video.	Overwritten, cringe-heavy dialogues that drag scenes for too long.
Sonam Bajwa’s on-screen magnetism — she owns every frame.	The male lead’s obsession is treated like romance, not toxicity.
Strong emotional intensity that keeps you curious till the end.	One-dimensional female character — no real backstory or growth.
Interval twist that genuinely surprises you.	Feels like it glorifies stalking under the banner of love.
Great background score and aesthetic direction.	Poor pacing; by the second half, it starts to repeat itself.

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Final Verdict Of Ek Deewane Ki Deewaniyat

If you want to watch a beautifully shot film about ugly emotions, this might be your guilty pleasure.
But if you expect depth, realism, or even basic respect for consent, brace yourself.

It’s not love. It’s an obsession dressed up in poetry.
And that’s exactly why Ek Deewane Ki Deewaniyat works for some and disturbs the rest of us.

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My rating: ★★☆☆☆ (2/5)
Watch it if: you loved Sayaara and crave high-voltage drama.
Skip it if: you value sanity, boundaries, and logic.